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Wolfgang amadeus mozart the marriage of figaro
Wolfgang amadeus mozart the marriage of figaro








wolfgang amadeus mozart the marriage of figaro

"Non più andrai" comes at the end of Act One of Figaro.

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In the aria, we find Guglielmo unleashing a torrent of classical and geographical references to test Dorabella's fidelity. The two men test the faithfulness of their beloveds by returning in disguise to woo them. The opera revolves around two couples, Guglielmo and Fiordiligi and Fernando and Dorabella. The first, "Rivolgete a lui lo sguardo," was originally intended for Così fan tutte, but it was replaced before the opera's first performance by a shorter number.

wolfgang amadeus mozart the marriage of figaro

They demonstrate Mozart's liberation of the aria from the strictures of da capo form by writing music and using structures that follow the expression of the text more closely.

wolfgang amadeus mozart the marriage of figaro

Aside from The Magic Flute, his most important contributions came in his three collaborations with librettist Lorenzo da Ponte - The Marriage of Figaro (1786), Don Giovanni (1787), and Così fan tutte (1790) - all of which revealed a new-found emphasis on the humanity and realism of their characters through Mozart's perfect musical dramaturgy.īoth of the arias on this program come from those Mozart-Da Ponte operas. He wrote his first operatic work, the three-part Latin intermezzo Apollo et Hyacinthus, when he was eleven, and he continued to write for the stage right up until his last year, when both The Magic Flute and La clemenza di Tito premiered in the same month. Wolfgang Amadeus Mozart (1756-1791), on the other hand, made some of his most important contributions to music as an operatic composer. The one realm of music Bach's duties in Leipzig never required him to enter was opera. "Non più andrai" from The Marriage of Figaro, K. Notes for the Los Angeles Chamber Orchestra, November 16, 2004










Wolfgang amadeus mozart the marriage of figaro